There is a piece by Larry Kudlow in National Review. Yes, that Larry Kudlow, the conservative economist. 100 monkeys typing pointed me to it. It's a plug for his wife's art collection (being displayed at St. Simon's Island, GA, which is offensive enough; I have relatives there). It actually contains this paragraph; at first I thought it was a joke; but it's not:
Judith [Kudlow] and her associates, especially Andrea Smith from the Florence Academy, are leading lights in the return to classical painting. Sometimes it’s called natural realism. I just call it conservative art. Let me tell you what it’s not — it’s not modernistic, abstract, self-centered expressionism. It’s not just throwing paint at a canvas. It doesn’t tear down art, or the rest of the world, for that matter. It’s not the negative pessimistic crap that too often passes for art in blue states like New York and, well, you know where else. These are just beautiful, calm, pleasant pictures. Stuff you can enjoy looking at, which is what I think art should be.
At first I wasn't even sure how to respond to this. He might as well have said, "this is stuff that you can enjoy not looking too closely at, stuff that doesn't challenge you, doesn't make you think. Don't you just hate it when art makes you think?"
Then I realized that I heard this kind of rhetoric before. And I did some research. Read this:
Here is music turned deliberately inside out in order that nothing will be reminiscent of classical opera, or have anything in common with symphonic music or with simple and popular musical language accessible to all. This music is built on the basis of rejecting opera - the same basis on which "Leftist" Art rejects in the theatre simplicity, realism, clarity of image, and the unaffected spoken word[...] Here we have "leftist" confusion instead of natural human music.[...]
Leftist distortion in opera stems from the same source as Leftist distortion in painting, poetry, teaching, and science. Petty-bourgeois "innovations" lead to a break with real art, real science and real literature.
Who wrote those words? Many think it was Joseph Stalin himself. If it wasn't Stalin, it was one of his henchmen.
Those paragraphs are from a famous editorial, "Muddle Instead of Music," that appeared in Pravda, yes that Pravda, after Stalin came to see Dmitri Shostakovich's opera, "Lady MacBeth of Mtsensk," in 1936. If you're not a musician you probably don't know that the appearance of this editorial is a seminal moment in music history. Here are a few more excerpts:
From the first minute, the listener is shocked by deliberate dissonance, by a confused stream of sound. Snatches of melody, the beginnngs of a musical phrase, are drowned, emerge again, and disappear in a grinding and squealing roar. To follow this "music" is most difficult; to remember it, impossible.[...]
The composer apparently never considered the problem of what the Soviet audience looks for and expects in music. As though deliberately, he scribbles down his music, confusing all the sounds in such a way that his music would reach only the effete "formalists" who had lost all their wholesome taste. He ignored the demand of Soviet culture that all coarseness and savagery be abolished from every corner of Soviet life. Some critics call the glorification of the merchants' lust a satire. But there is no question of satire here. The composer has tried, with all the musical and dramatic means at his command, to arouse the sympathy of the spectators for the coarse and vulgar inclinations and behavior of the merchant woman Katerina Ismailova.
You can almost hear Stalin saying how much he hates that "negative pessimistic crap," and Larry Kudlow saying, "I couldn't agree more."
Shostakovich was one of the great dissidents of the 20th century (if you don't know anything about his life or his music --excerpts from his Chamber Symphony here -- he's worth your time), who spent his life oppressed by the totalitarian ideology of the Soviet Union, a totalitarian ideology that wanted its music kept simple, with none of that "self-centered expressionism," as Kudlow has it.
Kudlow on his wife's art:
Let me tell you what it’s not — it’s not modernistic, abstract, self-centered expressionism.
In these so-called abstract paintings there is no real face of those people, whom people would like to imitate in the fight for their peoples' happiness, for communism and for the path on which they want progress.
Let's have Kudlow again:
Let me tell you what it’s not — it’s not modernistic, abstract, self-centered expressionism.
What did Stalin dislike?
It was during Stalin's reign that the official and long-lived style of Social Realism was established for painting, sculpture, music, drama, and literature. Previously fashionable "revolutionary" expressionism, abstract art, and avant-garde experimentation were discouraged or denounced as formalism.
What does Kudlow call his wife's art, apart from "conservative art"?
Sometimes it’s called natural realism.
What did Stalin call his? Now, "socialist" and "natural" aren't the same thing, but, gosh, Kudlow could have been more careful in his choice of words.
Since I'm gonna beat this dead horse, I'm gonna beat it. Here's some art. Kudlow thinks conservative art "represents the force of light and right and good in an art world, which, too often, lapses into darkness." I guess this doesn't fit:
Too much darkness there. Must not be conservative enough. Here is some more art. I don't think it's conservative either:
This is the "Hell" panel from Bosch's "Garden of Earthly Delights." Bosch is the same (16th century) painter that painted the disturbing image at the top of our webpage. And while we're on the subject of previous centuries, I encourage you all to visit your local art museum, where you can see that most art from most centuries is not "beautiful," "calm" or "pleasant." Whether it's Christ being crucified gruesomely in the 11th century, or a factory workers being exploited in the 19th, a lot of it ain't pretty.
But according to Kudlow's criteria, the next painting must be conservative art. It's a "beautiful, calm, pleasant" painting. It leaves "one positive and feeling optimistic."
Yep, that's realism for you.
All I have to say to Mr. Kudlow, apart from "fuck you, you ignorant piece of shit," is that if conservative art is supposed to be limited to "beautiful, calm, pleasant pictures," I'm glad Heather and I made an appropriate choice.
-- Michael



Great post! Wow! Take the rest of the day off!
Posted by: Walter | December 15, 2004 at 07:31 AM
Heh. Indeed. There's a PoliSci Masters thesis waiting to be written about the Marxist (or maybe more precisely, Leninist) streak running through modern Movement Conservatism. If you've got the stomach for it, there's lots of discussion at The Corner denouncing counter-revolutionary art, and exactly how much the Adam Sandler character in Spanglish reminds one of Dear Leader.
Posted by: dave | December 15, 2004 at 08:10 AM
I'm with Stalin in not liking Shostakovich much--but not for any of the same reasons. I don't pretend to know what "pure" music is or what the right way to compose it might be. I just know what I like, and Shostakovich isn't it.
And while I thoroughly agree with not-me-Michael that "most art from most centuries is not 'beautiful,' 'calm' or 'pleasant.' Whether it's Christ being crucified gruesomely in the 11th century, or a factory workers being exploited in the 19th, a lot of it ain't pretty," I must also admit that most modern art after the Impressionists leaves me cold. I'm a regular (and a member) at the Art Institute of Chicago, but normally I walk right by the modern galleries to spend time with my favorites: the Impressionists, the Oriental collections, the few Greco-Roman items they have, and anything from the medieval period until the end of the 19th century. I'm looking forward to the opportunity to visit a lot more of that kind of art when taking a break from my archival research in France next month. I've got myself a three-day Paris museum pass and I'm going to put it to good use! :-)
Posted by: Michael | December 15, 2004 at 09:17 AM
'He might as well have said, "this is stuff that you can enjoy not looking too closely at, stuff that doesn't challenge you, doesn't make you think. Don't you just hate it when art makes you think?"'
Sounds like "conservative art" is a pretty good description to me. You know that most conservatives have a problem with thinking.
Posted by: dolphin | December 15, 2004 at 12:35 PM
Stalinists might also enjoy http://www.artrenewal.org/
When I saw this site for the first time, I thought it was a satire site. More's the pity for us all that it isn't.
Posted by: thm | December 15, 2004 at 07:50 PM
Excellent post; the flame of cultural criticism still flickers.
But take a look at "The Most Wanted Paintings on the Web," the notorious and hilarious project by Vitaly Komar and Alexander Melamid. They hired a market research firm to establish national preferences (and dislikes) in art, and then made paintings representing each. As usual the Dutch seem to be the most radical of us all. Ironically enough, Komar and Melamid were disciplined by the Soviet artistic establishment before they came to the US.
http://www.diacenter.org/km/
And if you're looking for reactionary art (both politically and stylistically), you can't beat Thomas Kinkade, "The Painter of Light (TM)." He's a born-again Christian, a published novelist, and the only artist listed on the New York Stock Exchange.
http://www.kinkademuseum.org/
http://www.beliefnet.com/story/105/story_10518_1.html#cont
http://www.salon.com/books/feature/2002/03/18/light/
Posted by: scardanelli | December 16, 2004 at 09:11 AM
I understand his wife's sculptor collection will soon be on display; the world's largest collection of Precious Moments figurines.
Posted by: pablo | December 16, 2004 at 01:01 PM
Funny stuff. By the way, didja know that Hitler was a vegetarian?
Posted by: praktike | December 16, 2004 at 01:25 PM
You can almost see Larry beam with pride. I'm sure his wife's work adorns countless business clas hotel rooms.
Posted by: Rob | December 16, 2004 at 02:23 PM
Lar, I hate to break it to ya, buddy, but what you're looking at and what your wife is spending your money on isn't art. It's wallpaper.
You could have gotten it at the local Home Depot for a fraction of what she paid.
Posted by: Chuck Nolan | December 16, 2004 at 02:47 PM
Michael, if you like impressionists you are already on the wrong side of Mr. Kudlow. A great deal of Impressionist art was considered revolutionary--not to mention shocking and disgusting-- in its day.
Posted by: Emma | December 16, 2004 at 03:07 PM
I don't have any problem with the works at artrenewal.org, just the philosophy behind the site itself. This dichotomy in art is false and scary. Can one not appreciate realism and surrealism, or any other supposed polar opposites, at the same time?
Frank Zappa said (paraphrasing) that a composition is defined, and only defined, as something which "begins when an artist says go and ends when an artist stays stop." You can "know what you like", but to turn an artist's choices into a political statement based simply on their aesthetic is indecent.
Posted by: BLT | December 16, 2004 at 03:42 PM
At the Chinese National Opera House, after the sounds of machine guns:
"What the hell was that!?"
"That was the prelude to the opera Mr. Duke"
"The prelude is automatic weapons fire!?"
"As it is so often in life."
Posted by: Sarcastro | December 16, 2004 at 04:09 PM
Wow.
Turns out a person who paints like my girlfriend does is married to a conservative economist who conflates conservative art, which I like somewhat, with right-wing politics, which I generally don't like or consider to be conservative. Does this guy think huge deficits are conservative?
It is possible to be on the liberal side of things politically and the conservative side of things artistically. It's important both to be creative, and to be able to control where you put the paint.
Bosch and Shostakovich were classically trained and mastered their craft before going on to do things no one had done before with it.
It is a mistake to confuse creativity with incompetence, just as it is to confuse traditionalism with competence.
Let's be clear that some realistic art is challenging and interesting, and not all non-representational art is groundbreaking.
Please check out Will Wilson's art at the John Pence Gallery.
http://www.johnpence.com/visuals/painters/wwilson/second.htm
http://www.johnpence.com/visuals/painters/wwilson/convexed.htm
Scott
Posted by: Scott from Baltimore | December 16, 2004 at 04:11 PM
What I always wonder about people like Mr. Kudlow is what the think of non-western art. Are, say, the masks and paintings of Pacific Northwest Coastal peoples stirring examples of conservative, traditional art, or are they disgusting examples of modern art?
Posted by: Christopher | December 16, 2004 at 07:31 PM
I have spent about an hour a day for maybe the last year at the Art Renewal Center. Mostly downloading, but also reading, studying, and thinking. A very great resource for which I am grateful. I do agree with the active artists and patrons at the site that there are political implications in most art, and especially political/philosophical implications in the modernism of Klee and Pollock.
I mostly come down on the side of modernism, and have most of the work of Dali and Francis Bacon (among many others) on my hard drive. But there was a radical change in the twentieth century, at least as compared to the 19th, and probably a radical agenda that is reflected in our art. Understanding it may help us fight conservatism.
A recent article described Roger Fry's 1910 first exhibition of Gauguin, Van Gogh, and Cezanne. John Singer Sargent said it was worthless. 50 years later you could buy a Sargent oil, that mere illustrator, for $500. Now Sargent sells for 10 million.
Posted by: bob mcmanus | December 16, 2004 at 08:16 PM
I don't know a goddamned thing about art, even though the love of my life is an artist.
Great post, Michael.
Posted by: Cheryl | December 16, 2004 at 08:16 PM
Student Exercises.
I see these, as well done or better, every year when I cover the first-year students' exhibition in the painting curriculum at the local community college.
One has to admire Mrs. Kudlow's connections, or cojones, in getting an independent gallery exhibition with national reviews after her first year of work.
Second year is when they teach people to take that technical expertise and say something meaningful with it... but I suspect that's not in her future.
Posted by: Steve Kite | December 17, 2004 at 12:37 PM
I have a feeling that much of what's been quoted by Stalin is similar to the denunciations of Jewish, leftist, aka "degenerate" art that the Nazis deplored. A wonderful documentary (available on video!) is "Degenerate Art" (1993) about the 1937 "Entartete Kunst" exhibition that the Nazis mounted in order to allow the people to identify this corrupting influence. The documentarians include some of Hitler's own paintings, as well as paintings by artists he favored, to get a sense of the kind of pastoral, nationalistic imagery he preferred. I'd wager it could be called "conservative art."
Posted by: Karen | December 20, 2004 at 03:37 PM
"What I always wonder about people like Mr. Kudlow is what the think of non-western art. Are, say, the masks and paintings of Pacific Northwest Coastal peoples stirring examples of conservative, traditional art, or are they disgusting examples of modern art?"
neither. its regarded as anthropology rather than art.
Posted by: jummy | November 28, 2005 at 08:16 PM